Lieve Van Gorp black midi pencil skirt with French side seams — 1990’s

Description Similar items Lieve Van Gorp black midi pencil skirt with French side seams — 1990’s €119.00 Add to cart Lieve Van Gorp black lighter with printed logo in white €79.00 Add to cart Lieve Van Gorp blue cable knit chest piece with long ties and open sides — 1990’s €299.00 Add to cart Maison Martin Margiela 6 pewter green long armwarmers — early 2000’s €119.00 Add to cart Ann Demeulemeester oeuvre book in box by Rizzoli — 2014 €499.00 Add to cart Lieve Van Gorp blue cable knit chest piece with long ties and open sides — 1990’s €299.00 Add to cart Maison Martin Margiela 10 red short scarf with fringe ends — spring 2008 €189.00 Add to cart About Lieve Van Gorp In 1987 Van Gorp left the Royal Academy of Fine Arts of Antwerp with a degree in Fashion Design. After various jobs as a stylist for Belgian high street labels, in 1991 she launched her first collection of leather accessories, consisting of belts and bags. Only in March 1995 did she expand into a complete women’s prêt-à-porter collection. Soon after she opened her own shop in Antwerp and, in January 1997, launched a collection for men. During these busy years of development, she also took on a teaching post at her old school.   Lieve Van Gorp’s collections blend icons of Catholicism with rock star cult. This mixture is carefully expressed in the ‘merchandising’, which always accompanies her collections. Posters, pins with skulls, the letter ‘L’, exemplify her universe. True to her statement “In my dreams I’m a rock star, but unfortunatly I can’t sing”, Lieve Van Gorp mentions as sources of inspiration rock ‘n’ roll and country & western music, headstrong women like Madonna, Courtney Love, K.D. Lang, Patsy Cline, Skunk Anansie and Patricia Hearst, and men like Jesus Christ, Che Guevara, Willy De Ville and Elvis Presley.   Working with diversity within one creation is Lieve Van Gorp’s strength. Emotion and agression, softness and bondage, films versus real life, male and female and everything in-between, conservatism and avant-garde, tradition and innovation, leather, love and trust, Gothic rock and classicism…, all these are parts of the Lieve Van Gorp puzzle.   In 2001 she ended her fashion career to take care of her partner